Showing posts with label Radio 1 Textual Analysis. Show all posts
Showing posts with label Radio 1 Textual Analysis. Show all posts

Monday, 7 January 2019

Radio 1 - Essay

Write an essay
Part (a)Radio 1 target audience is on the decline, discuss the reasons why audience numbers are dropping and the steps taken by the organisation to maintain (and or grow) its audience 600 words.  Discuss the role of technology in maintaining its audience

Audience members of Radio 1 have been dropping in recent years as a result of the youth losing interest in radio, and instead being drawn to newer social media platforms such as YouTube or Spotify. This is unfortunate due to the key demographic for the Breakfast Show being ages 15-29, a generation that no longer listen to much radio. Although it seems that the Breakfast Show has lost its massive following (now being at below 5 million listeners a week), it is actually succeeding more than other broadcasters such as Radio 2, likely due to having a much higher Facebook and Twitter following: On YouTube, Radio 1 has 3.5m subscribers compared to Radio 2’s (roughly) 40,000. Radio 1 has 2.5m Facebook likes compared to Radio 2’s (roughly) 600,000. Radio 2 may have higher listening figures for its live shows, but the reach of Radio 1 – particularly with viral content – is much higher on social media than it is for Radio 2, which is likely due to the young audience ironically. The Breakfast Show has taken some steps in order to maintain its audience, such as creating video-based challenges that are able to be posted onto YouTube after it is has been broadcast. This is a successful use of multi-media convergence as many people who do not even like radio may still find the YouTube video entertaining enough to convince them to tune in. On the other hand, radio listeners may subscribe to their YouTube channel in order to see exclusive clips; this therefore grows the audience for both the radio and their YouTube channel. This can also be linked to the 'listen, watch, share' strategy, in which the audience will hear the challenge on the radio and then revisit it on YouTube to fulfil entertainment needs, and then pass it on to others who may find it funny. In the past the Breakfast Show have played games such as 'Innuendo Bingo' and 'Playground Insults' which are similar to challenges that young people like to watch on sites such as YouTube or James Cordon's show, therefore the competitive nature of these funny videos mean that it is important to share them on many social media sites and get them shared. 

While Nick Grimshaw was the radio host, he had various social media accounts such as twitter (@grimmie) and snapchat on which he posted exclusive, funny clips. Posting entertaining, personal videos and tweets are important to developing an audience because it creates a sense of friendship, which help make the fan base feel included in the community. New host Greg James also has social media and twitter, which has likely had a slight impact on Radio 1 due to his previous following; fans of Greg James would likely have started tuning in to the show to hear more from him, another successful mode of convergence created by technology advancements. Technology has also allowed fans to be much more interactive with the show, which is exactly what Greg James is aiming for. He claimed that he wants listeners to 'engage, rather than eavesdrop' which is now possible in recent years, with new challenges such as 'Yesterday's Quiz' and fans calling in to request certain songs being introduced into the show. 'Yesterday's Quiz' is particularly successful as it encourages people to listen intently to the show, either during broadcast or on catch up so that they could have a chance at winning a prize. The option for fans to call in is very important to radio as it helps the platform to feel friendly and conversational, which is more enjoyable for the demographic. It is also common for the radio producers to look through social media, mainly twitter, while broadcasting so that they can read and respond to any tweets that they see. On the 5th December, James had a famous athlete call in to take part in the quiz too which is fairly important as celebrity endorsements are successful in promotions. 

Part (b) From your viewing 400 words (listening) of a radio 1 breakfast show program
Discuss the impact of Radio 1’s funding (from tax payers money) on its production content. (take into account the stations remit…)   

Identify examples from your analysis you must also refer to commercial radio stations Capital One or Radio X to highlight the differences

Radio 1's funding has an impact on the production due to the much higher budget that can be spent on the show. Instead of relying on advertisers, the show is funded by the public's payment of a TV licence, £150 per year per household. Due to this, Radio 1 are able to continue broadcasting all through the night, even when profits will be low due to most people being asleep. It also means that the show are able to introduce new artists such as Unknown T or Billie Eilish as well as the famous stars. It is part of the BBC remit to 'inform, educate and entertain' as well as promoting emerging artists and British songs. Over half of BBC Radio 1 Breakfast Show's playlist usually consists of varied popular and emerging British music, such as Little Mix, George Ezra, Sam Fender and the 1975. It also means that the Radio can promote various amounts of competitions, being able to afford shipping and delivery costs of rewards for listeners who take part and win (despite Greg James' ironic joke that they couldn't on the 5th December). 
This is different to other radio stations such Radio 1's commercial rival, Capital. The Guardian reported that Both stations played a similar number of tracks – 1,068 (Radio 1), and 1,081 (Capital). However, Capital played the same songs fairly often, so that there were only 83 unique songs, compared with 443 at Radio 1. They had 49 unique songs in common, which is over half of Capital's playlist. This shows that Radio 1 are able to play more songs across the day with their high budget. It can also be compared to Radio X, which doesn't have a large amount of songs on its playlist. The daytime playlist features 14 songs, and evening playlist features 28, altogether 42. Though they likely do play more songs, it is evident that like capital they will have many repeats throughout the shows in order to appeal to their more narrow demographic, and lower budget.  
The budget of Radio 1 also means they can afford celebrity endorsements if they want to, which is very expensive considering the BBC have to pay for the visit, the flight and possibly a hotel too. Greg James does it less often, however Nick Grimshaw invited Demi Lovato along with other celebs onto the show as part of cross media convergence as she promoted the radio show and he spoke to her about her album and documentary. 

Thursday, 3 January 2019

Media Industries and Audiences: Radio 1 Breakfast Show

Notes from AS:
Media radio 1 from elleguyan


New content:




PBS - Refers to broadcasting intended for public benefit rather than to serve purely commercial interest
Remit - inform, educate, entertain



5th December with Greg James (Yesterday's Quiz, Wednesday fun and Ten Minute Takeover)

Songs and British Artists (clear variety of genres) 


  1. Not3s (rapper)
  2. Loyle Carner (hip hop)
  3. MK (american), Jonas Blue and Becky Hill (house)
  4. Sam Fender (alternative rock)
  5. Mumford and sons (folk rock, alternative rock)
  6. You me at six (rock band)
  7. Ellie Goulding (electro pop, synth pop, etc)
  8. The streets (alternative hip hop)
  9. Disciples (house)
  10. Friendly fires (indie rock)
  11. Jess Glynne (pop, R&B, dance, soul)
  12. Unknown T (grime)
  13. Duke Dumont (edm)
  14. Clean Bandit - (electronic)
  15. Little mix - (pop)
  16. Biffy clyro (alternative rock)
  17. James Arthur (pop)
  18. Jax Jones (house)
  19. Lewis Capaldi (pop)
  20. George Ezra (blues)
  21. M-22 (dance)
  22. 1975 (indie pop)
22 out of 43 are British (53%)


List 5 British Contemporary songs.
Jonas Blue, Little Mix, Jess Glynne, George Ezra, James Arthur 


-Emerging artists
Sam Fender, Unknown T

Emerging artists are important to radio 1 as they allow new songs to be discovered and help out. This can be good for young people who often support new artists and enjoy listening to new music as long as it is good. This is different to other radio's who may have less budget and therefore they want to gain good profit by playing songs that definitely attract listeners. Radio X for example plays music specific to their audience which are largely white adult males, therefore they may not listen to emerging artists with little reputation. 


Overall Notes -- 
(summary) Weather, Cardi B's sad breakup and clip of her speaking
(music gets louder in between speaking)
-Talks about future features on the radio show and the time they're happening 
-2:45 song starts (Halsey, then 5sos) 
-Talks to a guest ?
-Harry Redknapp (bug buster challenge) and how he doesn't know about Toy Story - soft news
-Talking about guests such as Laurie who is being sent something but abroad, makes joke about postage cost, and how somebody hasn't heard of Hey Jude
-Keeps referencing Harry Redknapp joke 
-At 29-30 minutes some hard news starts, homelessness, inspection of race course as horses died. then sport and man city, west ham, bournemouth, Brighton etc and premier league. weather 
-Reading what 'Chloe' said, social media or text in? Interactive 
-Said 'soz' 
-competition
-'yesterday's quiz' talking to guest about his training for triathlon, then quizzes him 
-makes mistake and laughs - 'what colour is Rudolph the red nose reindeers nose' 
-At 59-30 minute, talks about strikes, football. weather update 


Every half an hour there is a news cycle in which they briefly mention any hard news as well as weather updates and football. Football keeps it lighthearted and prevents people from switching off, however it is still short for those who are only interested in the music. It is beneficial to run on a half hour cycle as people who listen to other stations may still tune in every half hour for the brief news. 



The Radio 1 Breakfast Show with Greg James is broadcast weekdays from 06.30-10.00 am.
The Breakfast Show has been running since 1967, but Greg James took over as the 16th presenter in 2018.
BBC Radio 1 is broadcast on FM, DAB, Freeview, Freesat, Virgin, Sky, or online via BBC Radio Player (including via the phone or tablet app) where it can be heard live or streamed for 30 days.
It is produced by the BBC from its own studios at Broadcasting House in London.
There’s a useful BBC Academy podcast (with transcript) about how the programme is produced http://www.bbc.co.uk/academy/articles/art20170619095219011
The music is largely playlisted – what is going to be played on daytime Radio 1 is decided by a committee; they choose around 40 records each week for repeated daytime play

(A-list records get 25 plays a week, B-list 15, and C-list eight to 10).

How does the content suit the target demographic of 15 – 25 year olds?
There is a lot of humour and young language such as 'soz', informal language. The 'yesterday's quiz' is fairly funny and engages the audience as it is similar to challenges that they may look at on their other chosen platforms such as YouTube
What does the above content hope to achieve?
Engages the audience and hopes to turn them into regular viewers. It is very entertaining. Challenges such as this are likely to be made into YouTube clips which reaches a wider audience. 
What news features were aired, why are they relevant to a youth audience. 
-football and the weather can be relevant as young people might be interested in football, or want to go out themselves and need to know the weather. If not, they may be interested in celebrity gossip such as Cardi B. There may be some youths who want to hear about the hard news and express their opinions on twitter as part of the new culture to protest and share ideas on social media.

As the BBC is the world's largest producer, it can create original high quality media content and high production costs. They are able to fly out celebrity guests and have a consistent radio station running even through the night when profits are lower. It also means they can afford to potentially lose profits by playing a range of music genres that some may not like as well as new artists who havent been heard of. 


Audience segmentation -- 
Gender is targeted by radio 1 as they have a range of different elements. Stereotypically, males will enjoy news about football and females will enjoy celebrity gossip. There are certain songs that apply specifically to a gender, for example Jess Glynne's sings about women and confidence in 'Thursdays' which males may find catchy but otherwise probably wouldn't relate to the song. 
In terms of ethnicity, culture can have an affect in terms of rap, soul, blues being part of black culture and others having different preferences. 

Host
There is debate as to whether radio 1 made the right choice in Greg James as he is funny, but is a safe option. 32 year old male, and therefore older than the target audience. He is charismatic and colloquial which may intrigue younger people more, however I feel that most young people are more interested in podcasts by people they follow rather than a radio show by a random funny presenter that they likely don't know. 
A female may have been a good choice but it may have been perceived as a 'token' and an attempt to be politically correct, and as a result annoyed certain people more. 


Maintaining audiences

On YouTube, Radio 1 has 3.5m subscribers compared to Radio 2’s paltry 42,069. Radio 1 has 2.55m Facebook likes compared to Radio 2’s 633,053. Radio 2 may have higher listening figures for its live shows, but the reach of Radio 1 – particularly with viral content – is much higher on social media than it is for Radio 2,
As Radio 1 controller Ben Cooper explained this morning: “Radio 1’s Listen, Watch, Share strategy means that RAJAR is only part of the story. Alongside the 10.5m listeners, our YouTube videos have received over 1.4 billion views and we have 8.7m followers across social media.” The reason Radio 1 has so many social media followers is because it’s producing content that works on YouTube and on social media as well as on radio. These things are funny, they’re usually video-based, and they just happen to act as breadcrumbs that entice people on social media to tune in. When it gets famous guests, Radio 1 plays games like Innuendo Bingo or Playground Insults that are rivalling Carpool Karaoke, the hugely popular spot from James Corden’s massive US TV show, in terms of actual funniness and in what execs like to call ‘shareability’.